The forty sheets collect the enlightened and obtuse thoughts of H. Blume, former employee at the Fachhochschule of Wiesbaden (FRG); four low tables frame as many attempts to capture—through paradox and presumption—the perfect image of certain states of the intellect and two other things; a booklet by Edizioni Pulcinoelefante contains drawings by Pasquale Campanella and features a brief statement on idiotic space and blind images, which are pressed under glass on the floor.

The exhibition is a kind of sentiment of skeptical reason dedicated to art.