To Paolo Uccello, who is said to have lived with the birds in houses built in trees. The performance–house created by Cristina Show at Careof revisits the theme of the home, recently presented at Fondazione Ambrosetti Arte Contemporanea. The house was a spettacolo-house, and the spettacolo was achieved through optical machines.

At Careof, Cristina revisits the theme of the home, but at the same time she develops it. The house is no longer an immobile, but a mobile; no longer a noun, but a verb. The house transforms into an act of inhabiting and of constructing.

The builder that Daniela De Vito and Silvia Bassi, under the guidance of Prof. Aldo Spoldi, take as their model is the spider weaving its web, launching threads into the pre-existing space. Inhabiting the space care of thus means, for the eight-legged spider formed by the union of Daniela and Silvia's bodies, elaborating the staircase already present within it; stealing from the staircase its rotating rhythm, the spider develops, through the somersault and its dancing body, the floor plan of inhabiting.

The somersault, the dance, the union of bodies is not a new experience for Cristina, who already last year developed a dance performance for an exhibition in Chiasso (organized by the art critic Antonio D'Avossa), in which Daniela and Silvia, with the help of Paola, rolling, gave life to a true ballet, documented in the exhibition by a video.

A second work by Cristina is the gift sculpture designed by Tiziana Tettamanti, under the guidance of Prof. Aldo Spoldi, in collaboration with the company Cavalli Elettroerosioni of Rovato. The gift sculpture is a European Arlocchino that seeks to unite the beauty proper to modern art with the necessary and the useful that belong to the postmodern period.