ArteVisione 2022
ArteVisione Focus 2022 pushes the boundaries of the project and narrows the field simultaneously.
Considering the period we are living due to the pandemic, with AV focus Careof tries to redefine the role, the possibilities, and the symbolic value, not just the economic one, of our job. We are professionals who investigate the pivotal idiosyncrasies of the contemporary man through the moving image and using the exchange, opening and horizontal-dialogue method.
We privilege in-person procedure, allowing bodies and individualities to merge into collective magma. We discuss the development, production, and exposition mode of the moving image but also of the training possibilities.
The finalists of ArteVisione 2022 are: Sofia Braga, Teresa Cos, Jacopo Rinaldi, Rebecca Moccia, IOCOSE.
ArteVisione LAB 2022 - Program
Open call 2022
REBECCA MOCCIA - “MINISTRIES OF LONELINESS”
Synopsis
Developed across various international cultural contexts such as the United Kingdom, United States, Japan, and Italy, Rebecca Moccia’s work “Ministries of Loneliness” is a research project investigating loneliness and its politicization in neoliberal society, starting from the experience of isolation and the dissolution of everyday life caused by the COVID-19 pandemic. The practical and symbolic starting point of the entire project is the Ministry of Loneliness, a department established in the UK in 2018 to address social and health issues related to loneliness, later replicated in Canada and Japan in 2021.
The ArteVisione 2022 jury, composed of Yuri Ancarani, artist; Iolanda Ratti, curator at Museo del '900 di Milano; and Eva Sangiorgi, Artistic Director of Viennale, awarded Rebecca Moccia’s project ‘Ministries of Loneliness’ for “its ability to tackle a universal theme that questions the structure of our society and its values. At the core of the project is loneliness, examined across different geographies, placing them in dialogue to highlight how this issue is common and shared. The artist intends to use a documentary approach, layering different narrative levels not only through editing or mise en scène but also through the direct commentary of graphic notes that bring critical reflection to the forefront. The jury emphasizes the coherence of the filmic research with the artist’s previous work, both formally and conceptually.”
PUBLIC PROGRAMME - Hito Steyerl
On the occasion of ArteVisione Focus, Careof presents a special evening dedicated to Hito Steyerl: Friday, September 30, 2022, at 9:30 PM, Anteo Palazzo del Cinema hosts a conversation between Hito Steyerl and German Duarte, followed by the screening of “November” (25’, 2004) and “Lovely Andrea” (29’, 2007).
Free admission until seats run out, reservation required via Eventbrite.
The event is in collaboration with Ariella Vidach - AiEP as part of the Common Cloud project.
Hito Steyerl (Munich, 1966) is a German filmmaker, artist working in the field of moving images, at the intersection of cinema and visual arts, and writer. Her main interests focus on media, technology, and the circulation of images in the era of globalization. Steyerl holds a PhD in Philosophy from the Academy of Fine Arts Vienna. She is currently Professor of New Media Art at the University of the Arts Berlin, where she co-founded the Research Center for Proxy Politics together with Vera Tollmann and Boaz Levin. She represented Germany at the 56th International Art Exhibition – the Venice Biennale in 2015.
image: Hito Steyerl, photo credit Leon Kahane
Hito Steyerl - “Una cosa come te e me” “In difesa dell'immagine povera”
In occasione di ArteVisione Focus Careof ha pubblicato in lingua italianadue saggi scritti da Hito Steyerl, tratti dal suo libro “The Wretched of the Screen” (2012).
hito_steyerl_saggi.pdf
